Creating Effective Exhibition Stands

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A guest post by Nimlok.co.uk who offer a bespoke exhibition stand design service

Providing exhibition stands for clients is a highly specialised service.  However, if you do not have an accurate understanding of their company then it will involve a great deal of guesswork.  Without knowing certain basics, you really will be just poking around in the dark. Answer the following questions:

  • What type of products is your client promoting?
  • What kind of image does their company have?
  • What (if any!) ideas does your client have about how they want their stands to look?

It is vital to know the answers to all of these questions!  After all, the ultimate goal in exhibition stand design is to attract as many visitors as possible within a very short space of time.  And this cannot be done without a good knowledge of your client and their company.

Logos and Branding

The best exhibition stands are the ones which make full use of a company’s logo.  This means they will be eye-catching and that any existing clients will recognise the company straight away. If the company have a particularly strong logo, then how about presenting it in a 3D, projected or illuminated format?  Many clients will really like the idea of this!

Reeling in Your ‘Catch’

Once you have ‘caught’ the attention of a visitor you will want to ‘reel them in’.  Make sure that plenty of your client’s contact details are easily at hand throughout the display.  Leaflets, business cards and flyers are great to have at hand throughout your client’s stand.

Getting the Message Across

Exhibitions have a tendency to be quite noisy locations, so a special attention to visuals is always a good idea.  Photographs, prototypes and diagrams will all do their job, however noisy the venue becomes!

Don’t overdo it with text though…  many people are very lazy when it comes to reading information and will not be prepared to stand around poring through reams of information about new products.  If you do have to use text, then try and keep it to a bare minimum.

Having a few short sentences will often deliver a far more potent message than any long and sprawling paragraphs!  If any visitors want to know the finer details regarding any products, they can soon pick up a few of the company’s leaflets instead or approach the friendly staff that will be on hand.

Choosing the Right Colours

Using the correct colours in an exhibition stand design can be a very tricky business.  They do not want to appear too dark, but they should also not be so bright that they give visitors a migraine either!

Some clients will have definite ideas about the colours they want to use, particularly if they have a colour-themed image to their company’s stationary and graphics.

For a really powerful display that will stop people in their tracks, complimentary colours are a serious consideration.  A background in one shade will cause the foreground to jump right out if it is presented in its opposite colour.

Creating a Model for Your Client

Presenting your client with a 3D scale model of a proposed display will make the whole business far more ‘real’.  Once they have inspected this you will have much more idea of what they do/do not like and whether you are working along the right lines or not.

This can also be a great way of ensuring that no expensive mistakes are made!

Some Effective Features

Incorporating a video screen or laptop into your client’s display can have a very beneficial effect.  A short video message of around three minutes can be highly informative and really grab the attention of visitors.

Lighting

The correct use of lighting is very important in an exhibition display; it is all about creating a careful but effective balance.  It should not be too bright, but it must be light enough for visitors see what they are looking at!  Why not use some spot lights in the construction of your clients stand?  These can have a really dynamic effect on a display if they are situated cleverly.

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Who Cares what the Designer and Client Likes Anyway

target market

Over the weekend my boyfriend and I went to a relatives shop to buy some furniture. While we were there they were saying how quiet business was and we started looking at their website which is very basic and old fashioned. They don’t want to sell online which I understand, but I asked why they didn’t have any prices of their products online and they said “WE LIKE it if people phone us if they want more information.” At this point I said that many people, myself included, wouldn’t bother ringing they just want to get an idea of prices to see if it’s within their price range and worth the journey.

It started me thinking, it really doesn’t matter what the client wants or what we want as designers, but it is down to us to try and work out what the end user wants and convince the client. It is hard to design something that goes completely against the grain of your own taste, but it is something, we as designers need to do. I keep a sketchbook which every now and then I cut up bits of design magazines, leaflets etc that I LIKE and paste them in for future reference. Perhaps really what I should be doing is cutting out and keeping things that really make sales. Take for instance those hideous (to me) adverts that you get in the back of Sunday Newspaper magazines sometimes, the ones selling pottery animals or flowery sofa covers, adverts like this must cost a fortune to place and you don’t just see them in one week so they must sell I assume. Perhaps I should be collecting things like this, or at least collecting material suitable for different age groups and types of people.

Who cares what I like or the client likes, it is the target market that really counts and what sells. What do you think?

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ArtRage 3 Studio Pro Painting Software and Wacom Bamboo Fun Review

I have been lucky to be given a free copy of ArtRage 3 Studio Pro along with a Wacom Bamboo Fun (medium size). I have previously had several different drawing tablets and really not got on well with then so was curious to see if I would be better with this one, but on to ArtRage first.

ArtRage Studio Pro – Natural Painting Software for Mac or PC

On first opening Artrage Studio Pro (I have reviewed an old version previously) it looked very easy to use. The tools are set up in a pallette in a corner and you can basically get painting straight away. In fact at first glance it looks quite a basic program, this is a good thing as it is not too intimidating for a beginner, but there is a lot more hidden beneath the surface. Each of the painting tools have some ready made presets but you can make your own variations, it is easy to change the size opacity, pressure and thinners. You can pull in a photo or rough sketch to use as a tracing image and choose to use the colours from the tracing image or choose your own.

I first started by bringing in a picture of my dog as a tracing image and then was pleased to find that you can also bring in a reference image, which looks like it has been pinned to your canvas. I started by trying a water colour brush and put a wash down which I think looks quite convincing. I did work on this a bit more but it is a bit too embarassing to show the results here – but that was down to me, the user ;) and not the software.
ArtRage Studio Pro 3

I had a bit of an experiment with the oil paints too, using a tracing image from a royalty free site, and I think with a little more practice I could get some pretty decent results. After all you wouldn’t expect to pick up a real paintbrush, after you hadn’t done it for years and be a maestro, and this sure beats cleaning up wet paint. It could also make for some more varied painterly images for you graphic design work rather than straight photograph. Using the tracing feature with a little practice you wouldn’t need to be an artistic genius to get some decent results either.

Overall I really like ArtRage 3 Studio Pro, I found it much easier to use than “Painter” which I have tried in past and I think it has a low learning curve. The only small thing I think could be improved is the menu for moving the canvas about (you can rotate it as well as move it up down side to side) which I would prefer was in a small top palette with the zoom feature, rather than taking up a lot of canvas space, but this is pretty minor.

If you would like to give ArtRage a try you can download a demo here. ArtRage is available in different versions – ArtRage 2.6 Starter Addition for FREE, ArtRage 2.6 Mac and PC $20, ArtRage 3 Studio Mac and PC $40 and ArtRage 3 Studio Pro £ (which I used) for $80.

Below you can see some videos of people who really know how to use ArtRage and below that more information on The Wacom Bamboo Fun.

You can also find a series of tutorial videos for ArtRage here if you want to try them with the demo.

Wacom Bamboo Fun (Medium)

As I mentioned before I have never really got the hang of using a drawing tablet so I was intrigued to see if I would get on better with this one, and I did. The pen feels smooth and responsive to use and works well with ArtRage, I felt more like I was really painting and drawing. The new tablet also gives you the ability to use your fingers to control zooming scrolling and rotating though I found this a bit tricky, but I think that is because I have got so used to doing this on my Ipad and this feels very different. According to twitter user @matt_cochr using a drawing tablet has helped with his RSI so that may be another reason to consider one. You can see the new range of Wacom Bamboo tablets here.

You can see a thorough video review of the Wacom Bamboo Fun by Geekanoids below

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Posted in General Graphic Design | Tagged , , , | 3 Comments
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